Memoirs of a Geisha, the film, and handmaiden of the Empire, a novel, at low gear glisten look completely different, until you stop and look more closely. mavin may be a lacquerese Geisha storey and the other a fantasy novel, but many connections freighter be made eg: both are the important transgress of the life of a girl/woman surviving by a rough coming of age to become legend. The main question needing attention is: ?How successful were the authors in transporting/taking you into the universe of text that?s quite different from your own??.
The first step to getting someone to believe the film or to get into the novel; is to set the scene of the setting. Geisha, has an obvious prefer on this aspect, as visual is instant and impacting on the hook of the world created reeling you in. Gretchen Rau (set decorator) and Mike Fantasia (location manager), play key roles in the conjuring of the setting of this mysterious film along with the director and anyone to do with the cinematography of it. The sets, of old Kyoto, really pull you in at the start along with the mild help of computers, as Japan doesn?t really look like that anymore.
Servant, however is at a different advantage, as each person has the freedom, from interpreting descriptive passages in novels, to create their own unique experience in their mind that?s totally appealing to them, chuck out for the image of the front cover. For example the opening passage of Servant: The breeze died. Dust swirled in little eddies, settling backbone over the palisade that surrounded the slave market. Despite the ungovernable currents, the air was hot and thick, reeking of confined and unwashed reality mingled with the smell of river sewage and rotting garbage from the dump commode the market.
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